Corrigé LLCER Anglais 2026 Amérique du Nord

The three documents explore the idea that leaving civilization behind may help individuals create a new life and discover their true identity. While documents A and B present this experience as liberating and transformative, document C offers a more ironic perspective, suggesting that self-discovery may not always meet people’s expectations.

First, both documents A and B portray civilization as restrictive and unsatisfying. In Walden, Henry David Thoreau explains that he went to the woods because he wanted “to live deliberately”. He rejects the complexity and materialism of modern society and advocates a simpler way of life. Nature allows him to focus on what is truly essential and to experience life more authentically.

Similarly, document B presents Chris McCandless as a young man determined to break free from social constraints. After graduating from college, he leaves his family, abandons his possessions and even changes his name to “Alexander Supertramp”. He sees society as a world dominated by comfort, security and material excess. By travelling into the wilderness, he hopes to reinvent himself and experience life in a more genuine way.

Furthermore, both documents suggest that leaving civilization behind can lead to personal growth. Nature becomes a place where individuals can reconnect with themselves and with fundamental human experiences. Far from social expectations, they are able to define their own values and identity.

However, document C introduces a more critical viewpoint. The cartoon shows a traveller who climbs high into the Tibetan mountains in search of his “true self”. Yet he is disappointed when he finally finds it. The humour comes from the contrast between the traveller’s spiritual expectations and the ordinary appearance of his supposed true self. The cartoon suggests that travelling far away does not necessarily transform a person or solve inner problems.

In conclusion, the three documents show that leaving civilization behind can help people seek freedom, authenticity and self-discovery. Nevertheless, true fulfilment depends not only on changing places but also on understanding oneself.

The three documents illustrate the evolution of society’s perception of women from the late nineteenth century to the second half of the twentieth century. Through literature and photography, they show how women gradually moved from being defined by social expectations and male perspectives to becoming independent individuals capable of shaping their own identities.

First, document A highlights the restrictive role traditionally assigned to women. In Kate Chopin’s The Awakening, Edna Pontellier begins to challenge social conventions. Her husband and Doctor Mandelet view her behaviour as strange and worrying because she no longer conforms to the expectations placed upon wives. Her desire for independence is interpreted as abnormal, revealing the deeply patriarchal values of the period.

Similarly, document B reflects the objectification of women in the 1950s. The photograph shows a woman walking confidently through a New York street while attracting the attention of male passers-by. The title, A Young Man’s Fancy, suggests that women were often viewed through the lens of male desire. Although the woman appears elegant and self-assured, the image still presents her primarily as an object of observation.

However, the documents also show a gradual transformation. Kate Chopin’s novel was revolutionary because it questioned the traditional role of women. Likewise, document C presents a much more independent female character. Jenny Fields openly rejects social expectations concerning marriage and femininity. She refuses to define her life according to men’s wishes and criticizes a society that reduces women to their reproductive role.

As a result, literature and art increasingly portray women as active individuals rather than passive objects. The progression from Edna’s struggle for freedom to Jenny Fields’s open rejection of traditional norms reflects the emergence of feminist ideas throughout the twentieth century.

In conclusion, the three documents demonstrate that art and literature both mirror and influence changing attitudes towards women. They reveal a movement from submission and objectification towards greater autonomy, self-expression and equality.

Enfin, il était libéré de toute contrainte, affranchi du monde étouffant de ses parents et de ses camarades, un monde d’abstraction, de sécurité et d’excès matériels, un monde dont il se sentait douloureusement coupé de l’intensité brute de l’existence.

En quittant Atlanta vers l’ouest, il avait l’intention de s’inventer une vie totalement nouvelle, une vie dans laquelle il serait libre de se plonger dans des expériences directes et authentiques. Pour symboliser la rupture complète avec son ancienne existence, il adopta même un nouveau nom.

« Voilà justement le problème », interrompit M. Pontellier. « Elle ne fréquente plus personne. Elle a abandonné ses réceptions du mardi, s’est éloignée de toutes ses connaissances et passe son temps à errer seule, à rêvasser dans les tramways, rentrant après la tombée de la nuit. Je vous dis qu’elle est étrange. Cela ne me plaît pas ; je suis un peu inquiet à son sujet. »

Cet aspect de la situation était nouveau pour le docteur. « Rien d’héréditaire ? » demanda-t-il sérieusement. « Il n’y a rien de particulier dans ses antécédents familiaux, n’est-ce pas ? »